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The Art Of Fiction : Illustrated from calssic and modern texts
The Art of Fiction (book)
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The Art of Fiction
TheArtOfFiction.jpg
First edition
Author David Lodge
Country United Kingdom
Language English
Publisher Secker & Warburg
Publication date
October 12, 1992
Media type Print (hardcover, paperback)
Pages 224 pp (hardcover)
ISBN 0-436-25671-1
OCLC 29360234
Dewey Decimal
823.009 20
LC Class PR826 .L63 1992
Preceded by Paradise News
Followed by Modern Criticism and Theory: A Reader
The Art of Fiction is a book of literary criticism by the British novelist David Lodge. The chapters of the book first appeared in 1991-1992 as weekly columns in The Independent on Sunday and were eventually gathered into book form and published in 1992. The essays as they appear in the book have in many cases been expanded from their original format.
Lodge focuses each chapter upon one aspect of the art of fiction, comprising some fifty topics. Every chapter also begins with a passage from classic or modern literature that Lodge feels embodies the technique or topic at hand. Some of the topics Lodge analyzes are Beginning (the first chapter), The Intrusive Author, The Epistolary Novel, Magic Realism, Irony and Metafiction. Among the authors he quotes in order to illustrate his points are Jane Austen, J. D. Salinger, Henry James, Virginia Woolf, Martin Amis, F. Scott Fitzgerald and even himself.
Chapters
Beginning Jane Austen Emma, Ford Madox Ford, " Emma Woodhouse, handsome, clever and rich ..."
The Intrusive Author George Eliot, E. M. Forster
Suspense Thomas Hardy
Teenage Skaz J. D. Salinger
The Epistolary Novel Michael Frayn
Point of View Henry James
Mystery Rudyard Kipling
Names David Lodge, Paul Auster
The Stream of Consciousness Virginia Woolf
Interior Monologue James Joyce
Defamiliarisation Charlotte Brontë
The Sense of Place Martin Amis
Lists F. Scott Fitzgerald
Introducing a Character Christopher Isherwood
Surprise William Makepeace Thackeray
Time-Shift Muriel Spark
The Reader in the Text Laurence Sterne
Weather Jane Austen, Charles Dickens
Repetition Ernest Hemingway
Fancy Prose Vladimir Nabokov
Intertextuality Joseph Conrad
The Experimental Novel Henry Green
The Comic Novel Kingsley Amis
Magic Realism Milan Kundera
Staying on the Surface Malcolm Bradbury
Showing and Telling Henry Fielding
Telling in Different Voices Fay Weldon
A Sense of the Past John Fowles
Imagining the Future George Orwell
Symbolism D. H. Lawrence
Allegory Samuel Butler
Epiphany John Updike
Coincidence Henry James
The Unreliable Narrator Kazuo Ishiguro
The Exotic Graham Greene
Chapters etc. Tobias Smollett, Laurence Sterne, Sir Walter Scott, George Eliot, James Joyce
The Telephone Evelyn Waugh
Surrealism Leonora Carrington
Irony Arnold Bennett
Motivation George Eliot
Duration Donald Barthelme
Implication William Cooper
The Title George Gissing
Ideas Anthony Burgess
The Non-Fiction Novel Thomas Carlyle
Metafiction John Barth
The Uncanny Edgar Allan Poe
Narrative Structure Leonard Michaels
Aporia Samuel Beckett
Ending Jane Austen, William Golding
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